the son of Cathelin Le Sueur, a turner and sculptor in wood, who placed his son with Vouet, in whose studio he rapidly distinguished himself. Admitted at an early age into the guild of master-painters, he left them to take part in establishing the academy of painting and sculpture, and was one of the first twelve professors of that body. Some paintings, illustrative of the Hypnerotomachia Polyphili, which were reproduced in tapestry, brought him into notice, and his reputation was further enhanced by a series of decorations (Louvre) in the mansion of Lambert de Thorigny, which he left uncompleted, for their execution was frequently interrupted by other commissions. Amongst these were several pictures for the apartments of the king and queen in the Louvre, which are now missing, although they were entered in Bailly’s inventory (1710); but several works produced for minor patrons have come down to us. In the gallery of the Louvre are the “Angel and Hagar,” from the mansion of De Tonnay Charente; “Tobias and Tobit,” from the Fieubet collection; several pictures executed for the church of Saint Gervais; the “Martyrdom of St Lawrence,” from Saint Germain de l’Auxerrois; two very fine works from the destroyed abbey of Marmoutiers; “St Paul preaching at Ephesus,” one of Le Sueur’s most complete and thorough performances, painted for the goldsmith’s corporation in 1649; and his famous series of the “Life of St Bruno,” executed in the cloister of the Chartreux. These last have more personal character than anything else which Le Sueur produced, and much of their original beauty survives in spite of injuries and restorations and removal from the wall to canvas. The Louvre also possesses many fine drawings (reproduced by Braun), of which Le Sueur left an incredible quantity, chiefly executed in black and white chalk His pupils, who aided him much in his work, were his wife’s brother, Th. Goussé, and three brothers of his own, as well as Claude Lefebvre and Patel the landscape painter.
Most of his works have been engraved, chiefly by Picart, B. Audran, Seb. Leclerc, Drevet, Chauveau, Poilly and Desplaces. Le Sueur’s work lent itself readily to the engraver’s art, for he was a charming draughtsman; he had a truly delicate perception of varied shades of grave and elevated sentiment, and possessed the power to render them. His graceful facility in composition was always restrained by a very fine taste, but his works often fail to please completely, because, producing so much, he had too frequent recourse to conventional types, and partly because he rarely saw colour except with the cold and clayey quality proper to the school of Vouet; yet his “St Paul at Ephesus” and one or two other works show that he was not naturally deficient in this sense, and whenever we get direct reference to nature—as in the monks of the St Bruno series—we recognize his admirable power to read and render physiognomy of varied and serious type.
See Guillet de St Georges, Mém. inéd.; C. Blanc, Histoire des peintres; Vitet, Catalogue des tableaux du Louvre; d’Argenville, Vies des peintres.
LESUEUR, JEAN FRANÇOIS (1760 or 1763–1837), French musical composer, was born on the 15th of January 1760 (or 1763) at Drucat-Plessiel, near Abbeville. He was a choir boy in the cathedral of Amiens, and then became musical director at various churches. In 1786 he obtained by open competition the musical directorship of the cathedral of Notre-Dame in Paris, where he gave successful performances of sacred music with a full orchestra. This place he resigned in 1787; and, after a retirement of five years in a friend’s country house, he produced La Caverne and two other operas at the Théâtre Feydeau in Paris. At the foundation of the Paris Conservatoire (1795) Lesueur was appointed one of its inspectors of studies, but was dismissed in 1802, owing to his disagreements with Méhul. Lesueur succeeded G. Paisiello as Maestro di cappella to Napoleon, and produced (1804) his Ossian at the Opéra. He also composed for the emperor’s coronation a mass and a Te Deum. Louis XVIII., who had retained Lesueur in his court, appointed him (1818) professor of composition at the Conservatoire; and at this institution he had, among many other pupils, Hector Berlioz, Ambroise Thomas, Louis Désiré, Besozzi and Charles Gounod. He died on the 6th of October 1837. Lesueur composed eight operas and several masses, and other sacred music. All his works are written in a style of rigorous simplicity.
See Raoul Rochette, Les Ouvrages de M. Lesueur (Paris, 1839).
LE TELLIER, MICHEL (1603–1685), French statesman, was born in Paris on the 19th of April 1603. Having entered the public service he became maître des requêtes and in 1640 intendant of Piedmont; in 1643, owing to his friendship with Mazarin, he became secretary of state for military affairs, being an efficient administrator. In 1677 he was made chancellor of France and he was one of those who influenced Louis XIV. to revoke the Edict of Nantes. He died on the 30th of October 1685, a few days after the revocation had been signed. Le Tellier, who amassed great wealth, left two sons, one the famous statesman Louvois and another who became archbishop of Reims. His correspondence is in the Bibliothèque nationale in Paris.
See L. Caron, Michel Le Tellier, intendant d’armée au Piémont (Paris, 1881).
Another Michel le Tellier (1643–1719) was confessor of the French king Louis XIV. Born at Vire on the 16th of December 1643 he entered the Society of Jesus and later became prominent in consequence of his violent attacks on the Jansenists. He was appointed provincial of his order in France, but it was not until 1709 that he became the king’s confessor. In this capacity all his influence was directed towards urging Louis to further persecutions of the Protestants. He was exiled by the regent Orleans, but he had returned to France when he died at La Flèche on the 2nd of September 1719.
LETHAL (Lat. lethalis, for letalis, deadly, from letum, death; the spelling is due to a confusion with Gr. λήθη, forgetfulness), an adjective meaning “deadly,” “fatal,” especially as applied to weapons, drugs, &c. A “lethal chamber” is a room or receptacle in which animals may be put to death painlessly, by the admission of poisonous gases.
LETHARGY (Gr. ληθαργία, from λήθη, forgetfulness), drowsiness, torpor. In pathology the term is used of a morbid condition of deep and lasting sleep from which the sufferer can be with difficulty and only temporarily aroused. The term Negro or African lethargy was formerly applied to the disease now generally known as “sleeping sickness” (q.v.).
LETHE (“Oblivion”), in Greek mythology, the daughter of Eris (Hesiod, Theog. 227) and the personification of forgetfulness. It is also the name of a river in the infernal regions. Those initiated in the mysteries were taught to distinguish two streams in the lower world, one of memory and one of oblivion. Directions for this purpose, written on a gold plate, have been found in a tomb at Petilia, and near Lebadeia, at the oracle of Trophonius, which was counted an entrance to the lower world, the two springs Mnemosyne and Lethe were shown (Pausanias ix. 39. 8). This thought begins to appear in literature in the end of the 5th century B.C., when Aristophanes (Frogs, 186) speaks of the plain of Lethe. Plato (Rep. x.) embodies the idea in one of his finest myths.
LE TRÉPORT, a maritime town of northern France in the department of Seine-Inférieure, on the English Channel, at the mouth of the Bresle, 114 m. N.N.W. of Paris on the Northern railway. Pop. (1906) 4619. Owing to its nearness to the capital, Le Tréport is a favourite watering-place of the Parisians. A good view is obtained from Mont Huon, which rises to the south-west of the town. The mouth of the Bresle forms a small port, comprising an outer tidal harbour and an inner dock accessible to vessels drawing from 13 to 16 ft. The fisheries and oyster parks with their dependent industries, shipbuilding and glass manufacture, furnish the chief occupations of the inhabitants. Coal, timber, ice and jute are imported; articles de Paris, sugar, &c., are exported. The chief buildings are the church of St Jacques (16th century), which has finely carved vaulting and good modern stained glass, and the casino erected 1896–1897. About 1 m. north-east of Le Tréport is the small bathing resort of Mers. The Eu-Tréport canal, uniting the two towns, has a length of about 3 m., and is navigable by vessels drawing 14 ft. Le Tréport (the ancient Ulterior Portus) was a port of some note in the middle ages and suffered from the English invasions. Louis Philippe twice received Queen Victoria here.
LETRONNE, JEAN ANTOINE (1787–1848), French archaeologist, was born at Paris on the 25th of January 1787. His
