III.
GOTHIC INFLUENCE ON THE ITALIAN REVIVAL.
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Gothic Naturalism, Expressiveness, and Feeling in the Sculpture of Giovanni Pisano and Andrea Pisano.]
FLORE>:CE.
GIOTTO. 1 267-1337, great in composition and in natural and dramatic treatment of sacred themes.
Painting carried on on traditional lines by the Giottcsques to the end of the century. At Florence painters' company founded 1349.
TADDEO GADDI, STEFANO, MASO DI BANCO, BERNARDO DADDI,
ANDREA ORCAGNA, agnolo caddi, spinello aretino,
GIOVANNI da UlLANO, ANDREA DI FIRZNZE, STARNINA, &C.
SIENA.
SIMONE M.RTINI, c. 1 283-1344. exhibits the pensive sweetness that marks Sienese painting. At Siena painters' company founded 1355. Sienese school preserves throughout its tender and devout feeling, and decorative charm.
LIPPO MESOn, BARTOLO DI FREDI. ANDREA VANNI.
TADDEO BARTOLi influences art in Umbria.
THE LORENZETTI, d. c. 1348. Painters of dramatic power.
CONTEMPORARY PAINTING /.V OTBER PARTS OF ITALY.
Revival hardly begins in XlVth century. Best work done by allegretto di nuzio of Fabriano and altichiero of Verona. FRA ANGELICO DA FIESOLE, 13S7-14SS, sums up the purely religious art of the Gothic period.
IV.
IT.ALIAN SCHOOLS OF THE FIFTEENTH CENTURY UNDER THE INFLUENCE OF THE RENAISSANCE.
Painting advances at Florence, declines at Siena. Other Italian schools begin to develop FLORENCE. SIENA. UMBRIA. NORTH ITALY.
MASOLINO DA PANICALE. 1383-^- 144°
Teacher of
MASACCIO, 1402-1420. Great as Giotto, with added knowledge and unique sense of the monumental in painting.
FiLippo LIPPI, 1406-1469. Idyllic charm. SA.NDRO BOTTICELLI. 1444-1510-. Sentiment and beauty. Treats classical subjects.
FlLlPPINO LIPPI, 1460-1505. Grace, classical
details. BENOzzo GozzoLi, 1424-1498. Copious in detail.
COSIUO ROSSELLI, PIERO DI COSIUO.
PAOLO UCCELLO, ^^^. devotee of Perspective"
AND. DEL CASTAGNO, c. 13QO-14S7. Vigour. DOM. VENEZiANO. c. 1400-(?} 1461, ttics oil-paint?
ALESSIO BAUDOVINEITI, 1427-149O, realist.
ANT. POLLAIUOLO i5i2. Anatomy, nude, oil.
149»
ANDREA DEL VERROCCHIO, 1435-1488.
Great in sculpture. Teacher of Leonardo. DOM. DEL GHIRLANDAJO, 1449-1494 Master of monumental style in fresco.
a =
2~
FRA BARTOLOMMEO,
AND. DEL SARTO,
14S7
147'; 'I 1517' 1.
Perfection of art on the formal side.
SIENA.
TADDEO BARTOLI
1363-142^- DOM. DI BARTOLO
SANO DI PIETRO
MAT. DI GIOVANNI
FRAN. DI GIORGIO, &C.. &C.
carry art through the century on the same lines as in the XlVth cent.
Decline of Sienese Art.
All these fore- runners of the great masters.
UMBRIA.
GENTILE DA FABRIANO,
c. 1370-C. 1450. Visits Venice and Florence.
NICCOLO ALLTNNO.
BENEDETTO BONFIGLI.
FIORENZO DI LORENZO.
B. CAPORALI,
&C., &C.
Exhibit Umbrian suavity on Sienese lines. No progress PIERO DE' FRANCESCHI c. 1416-1492, teacher of
MELOZZO da FORLI, Hi^ 1494 and of
LUCA SIGNORELLI. i^^ 1524 Realists of Florentine type. Progressive.
GIOVANNI SANZIO. d. 1494.
Father of Raphael.
PIETRO PERUGINO.
1446-1524. Raphael's master
VERONA.
VITTORE PISANO, d. 1456.
Finest Italian medalist.
PADUA, Native art begins with the
school of FRANCESCO SQUARCIONE, 1394-1474.
Classical remains studied.
DONATELLO tc UCCELLO
Work at PADUA, c. 1445] From all these proceeds
AND. MANTEGNA,
1431 1506
Studies Tuscan Art and influences Venetian.
VICENZA. montagna, 1475-1523.
FERRARA.
cosiMO tura, d. c. 1496.
LORENZO COSTA, 1460-1535 BOLOGyA.
FRANC. FRANCIA,
1450-1517-
VENICE.
{ GENTILE da FABRIANO
Works at Venice^ c. 1422.]
School of MURANO,
influenced from Germany,
and
THE vrvARiNi flourish,
c. 1440-c. 1500.
CARLO CRIVELLI,
d, C, 1493.
ANTONELLO da MESSINA,
c. 1430-1479 In Venice, 1475-6.
Oil painting introduced,
c. 1473-
CniA DA CONEGUANO,
d. c, 1508.
VmORE CARPACaO,
d. c. 1522.
THE BELLINI,
Associated with Mantegna JACOPO d. c. 1470.
GENTILE, ^^J^^, 1507
GIOVAN^^, Eii4|o
1516
THE GREAT ITALIAN MASTERS OF THE SIXTEENTH CENTURY.
FLORENCE.
LEONARDO DA VINCI, ffff At Milan 1482-1499. " Last Supper" finished c. 1497.
MICHELANGELO BLONARROTI
1475-1564-
Sistine Chapel ceiling painted 1508-1512. " Last Judgment, " c. 1540. Dome of St. Peter's, c. 1560.
SEBASTIANO DEL PIOUBO, I4S5-1547.
GIORGIO VASARI, 1511-1574.
Wrote lives of the artists.
The Michelangelesque affects Italian
design in general.
UMBRIA.
PERUGINO, SANZIO.
NORTH ITALY.
VILAS.
BERNARDINO LUINI,
c. 1465
c. 1540
R.FFAEL SANZIO,
1483-1520.
Umbrian period to 1504.
Florentine period, 1 504-1508.
Roman period, ,1508-1520.
GIOVANNI DA UDINE.
Age of the mannerist's.
GIULIO ROMANO, 1492-1546.
PERINO DEL VAGA.
&C., &C.
Followers of Rapliael.
Influenced by Leonardo,
PAR.MA,
CORREGGICt^ PARMIGIANO, 1504-1540.
BRE.KIA. MORETTO, C. 1498-1554.
BEROAiaO. MORONI, C. 1510-1578.
VENICE. GIOVANNI BELLINI.
GIORGIONE, ^j^
LORENZO LOTTO, C. 1480-C. I5S6.
PALMA VECCHIO, c. 1480-1528. TITIAN,
died 1576, born 1476 (?) or some years later (?).
First dated work, 1507. Tribute Money, " c. 1508 (Dürerat Venice, 1506) Peter Martyr, " 1530, influenced by Michelangelo. "Presentation in Temple, " 1540.
PAUL VERONESE, 1S2S-15SS. TINTORETTO. 15:8-1594. "Paradise" begun, 1588.
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