flamboyant, but the gentlest and really the most beautiful. She possessed the same slow beauty of her mother, which enveloped one in a kind of mist that lingered long after she herself had gone away. She was neither loud and mannish and vulgar like the "horsey" women nor common like the girls who used too much paint and tried to behave like women of the world. There was already about her the timelessness that envelops a lady no matter the generation in which she appears; there was a mystery, a sophistication and knowledge of life which put to rout all the cheap flashiness of the others. And yet, somehow, that same cool, shy poise and beauty frightened people. Boys who were used to calling young girls "Good old So-and-so" found themselves helpless before the dignity of a young girl who looked in her green gown a little like a cool wood-nymph. It troubled Olivia profoundly, not for herself, but because she wanted the girl to be happy—more than that, to know the depths of happiness which she herself had sensed but never found. It was in a way as if she saw herself again in Sybil, as if looking back now from the pinnacle of her own experience she could guide this younger self, standing on the brink of life, along paths less barren than those trod by her own feet. It was so necessary that Sybil should fall in love with a man who would make her happy. With most girls it would make little difference one way or another, so long as they had money; if they were unhappy or bored they would divorce their husbands and try again because that was the rule in their world. But with Sybil, marriage would be either an immense, incalculable happiness or a profound and hopeless tragedy.
She thought suddenly of what Sabine had said of Thérèse a little while before. "I was wrong about coming back here. I'll never marry her off in this part of the world."
It was true somehow of Sybil. The girl, in some mysterious fashion, knew what it was she wanted; and this was
