their scalp-locks, while the tails of wolves and wild cats stream from various parts behind, as the wings of Mercury are represented, with pendants hanging from their noses and ears, so elongated by the weight of the ornaments suspended to them, that they float about and strike against their shoulders.—Glass beads, or necklaces of brass or steel adorn their necks, while highly-ornamented deer-skin leggins and curiously-painted buffalo-skins, negligently thrown over their shoulders, complete their grotesque habiliments. Thus accoutred they present themselves at the hut of their captive, who is already adorned with the most beautiful dress their fancy can devise, or the materials at their command produce. Her head-dress is composed of the feathers of the eagle and swan, and descends behind in gracefully waving curves, even to the ground. Her person is properly painted with red and black lines. A frock of deer-skin descends to the knee, while a beautiful pair of leggins extend from thence to the ankle. A pair of moccasins garnished with porcupine quills, pearl and glass beads, are on her feet. Pendants hang from her ears and nose, a necklace ornaments her neck, and bracelets her arms; {370} nothing was spared that could add to her beauty.
Tranquillity and joy distinguishes her as she approaches the grand feast, which she has been made to believe her kind guardians have prepared to honor her. At the first cry of the warriors, the poor child comes out of the hut and walks at the head of her executioners, who follow in single file. As they pass along they enter into all the huts, where the most profound silence and the utmost propriety reign. The Sioux girl walks around the fire-*place, her followers do the same, and, just as she leaves the lodge, the principal squaw gives her two billets of wood, which the unconscious victim gives in her turn
