tion, although often entertained, was never before so comprehensively carried out. Indeed the frequency of its occurrence to the thoughts of mankind argued the extent of its influence on their sympathies, while the fact of no attempt having been made to give an embodied form to the conception, went to prove the difficulty of the undertaking. But the true narrative of Selkirk in 1711, with the powerful impression it then made upon the public mind, sufficed to inspire Defoe with both the necessary courage for his work, and entire confidence in its success. How wonderful has been the result!
the novel as history and philosophy
[[[Author:Edward George Earle Lytton Bulwer|Bulwer's]] Rienzi, the Last of the Tribunes, reviewed in The Southern Literary Messenger, February, 1836. The last sentence of this extract is Poe's clearest statement of his adherence to a fundamental principle of democracy.]
But as was said before, we should err radically if we regard "Rienzi" altogether in the light of Romance. Undoubtedly as such—as a fiction, and coming under the title of a novel, it is a glorious, a wonderful conception, and not the less wonderfully and gloriously carried out. What else could we say of a book over which the mind so delightedly lingers in perusal? In its delineations of passion and character—in the fine blending and contrasting of its incidents—in the rich and brilliant tints of its feudal paintings—in a pervading air of chivalry, and grace, and sentiment—in all that can throw a charm over the pages of Romance, the last novel of Bulwer is equal, if not su-
