man of mark; his countenance, person, and gait, were alike characteristic. His features were regular, and decidedly handsome. His complexion was clear and dark; the colour of his fine eyes seemingly a dark grey, but on closer inspection they were seen to be of that neutral, violet tint which is so difficult to define. His forehead was, without exception, the finest, in proportion and expression, that we have ever seen. The perceptive organs were not deficient, but seemed pressed out of the way by causality, comparison, and constructiveness. Close to these rose the proud arches of ideality. The coronal region was very imperfect, wanting in reverence and conscientiousness, and presenting a key to many of his literary characteristics. The ideas of right and wrong are as feeble in his chains of thought as in the literature of ancient Greece.” We quote this description for its general fidelity. Its estimate of literary characteristics conveyed in the closing sentence we shall revert to in another place.
The engraved portraits of Mr. Poe have very little
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