the beauty of Edgar Poe. The exquisitely chiselled features, the habitual but intellectual melancholy, the clear pallor of the complexion, and the calm eye like the molten stillness of a slumbering volcano, composed a countenance of which this portrait is but the skeleton. After reading The Raven, Ulalume, Lenore, and Annabel Lee, the luxuriast in poetry will better conceive what his face might have been.”
It was soon after his removal to New York that Mr. Poe became acquainted with the editors of the Mirror, and was employed by them as a writer for that Journal. Mr. Willis, in a recent notice of the illustrated poems, has paid an eloquent tribute to his memory, expressed in a spirit of rare kindliness and generosity.
From March 1845, to January 1846, he was associated with Mr. C. F. Briggs in editing the Broadway Journal. In the autumn of 1845 he was often seen at the brilliant literary circles in Waverley Place, where weekly reunions of noted artists and men of letters, at the house of an accomplished poetess, attracted some
