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The Voice of the Pack

"I'm not interested in hearing them," he said.

"It might pay you," Cranston went on. "One of 'em is that one man's word is good as another's in a court—and it would n't do you any good to run down and tell tales. A man can light his pipe on the mountain side without the courts being interested. The second thing is—just that I don't think you'd find it a healthy thing to do."

"I suppose, then, that is a threat?"

"It ain't just a threat." Cranston laughed harshly,—a single, grim syllable that was the most terrible sound he had yet uttered. "It's a fact. Just try it, Failing. Just make one little step in that direction. You could n't hide behind a girl's skirts then. Why, you city sissy, I'd break you to pieces in my hands!"

Few men can make a threat without a muscular accompaniment. Its very utterance releases pent-up emotions, part of which can only pour forth in muscular expression. And anger is a primitive thing, going down to the most mysterious depths of a man's nature. As Cranston spoke, his lip curled, his dark fingers clenched on his thick palm, and he half leaned forward.

Dan knocked out his pipe on the log. It was the only sound in that whole mountain realm; all the lesser sounds were stilled. The