tion that there are three primaries, red, yellow and blue, which may be combined in pairs to make the secondaries, orange, green and violet, he states that owing to the impurities of the pigments the secondaries are not as pure as the primaries. Consequently he believes that this may account for many of the shortcomings which he was too observing to overlook; but notwithstanding such an error in theory this wonderful investigator made many practical experiments and established very valuable facts regarding color contrasts.
The term Simultaneous Contrast seems rather restricted for a title covering such a range of effects, and the author subdivides the subject into simultaneous contrasts, successive contrasts and mixed contrasts, which he defines as follows:
"In the Simultanous Contrast of Colors is included all the phenomena of modification which differently colored objects appear to undergo in their physical composition and in the height of tone of their respective colors, when seen simultaneously."
"The Successive Contrast of Colors includes all the phenomena which are observed when the eyes, having looked at one or more colored objects for a certain length of time, perceive, upon turning them away, images of these objects having a color complementary to that which belongs to each of them."
"The distinction of Simultaneous and Successive Contrast renders it easy to comprehend a phenomenon which we may call the mixed contrast; because it results from the fact that the eye, having seen for a time a certain color, acquires an aptitude to see for another period the complementary of that color, and also a new color, presented to it by an exterior object; .the sensation then perceived is that which results from this new color and the complementary of the first." These last two effects may be shown very clearly in simple experiments.
There are various phenomena which may be classed as suc-
