ability which also gives the teacher delight. The situation is famous in history, and has no less charm now than it had in the days of Abelard.
But this kind of comparison had not occurred to the Arrowpoints when they first engaged Klesmer to come down to Quetcham. To have a first-rate musician in your house is a privilege of wealth; Catherine's musical talent demanded every advantage; and she particularly desired to use her quieter time in the country for more thorough study. Klesmer was not yet a Liszt, understood to be adored by ladies of all European countries with the exception of Lapland: and even with that understanding it did not follow that he would make proposals to an heiress. No musician of honour would do so. Still less was it conceivable that Catherine would give him the slightest pretext for such daring. The large cheque that Mr Arrowpoint was to draw in Klesmer's name seemed to make him as safe an inmate as a footman. Where marriage is inconceivable, a girl's sentiments are safe.
Klesmer was eminently a man of honour, but marriages rarely begin with formal proposals, and moreover, Catherine's limit of the conceivable did not exactly correspond with her mother's.
Outsiders might have been more apt to think
