in the series. The first is Berenice clasping the knees of Gessius Florus and beseeching him to spare her people; I've got that on the easel. Then this, where she is standing on the Xystus with Agrippa, entreating the people not to injure themselves by resistance."
"Agrippa's legs will never do," said Deronda.
"The legs are good realistically," said Hans, his face creasing drolly; "public men are often shaky about the legs—'Their legs, the emblem of their various thought,' as somebody says in the Rehearsal."
"But these are as impossible as the legs of Raphael's Alcibiades," said Deronda.
"Then they are good ideally," said Hans. "Agrippa's legs were possibly bad; I idealise that and make them impossibly bad. Art, my Eugenius, must intensify. But never mind the legs now: the third sketch in the series is Berenice exulting in the prospect of being Empress of Rome, when the news has come that Vespasian is declared Emperor and her lover Titus his successor."
"You must put a scroll in her mouth, else people will not understand that. You can't tell that in a picture."
"It will make them feel their ignorance then—an excellent æsthetic effect. The fourth
