favourite song of his—"Flow on, thou shining river"—after she had sung "Home, sweet home" (which she detested). This hard-headed old Overreach approved of the sentimental song, as the suitable garnish for girls, and also as fundamentally fine, sentiment being the right thing for a song.
Mr Featherstone was still applauding the last performance, and assuring missy that her voice was as clear as a blackbird's, when Mr Lydgate's horse passed the window.
His dull expectation of the usual disagreeable routine with an aged patient—who can hardly believe that medicine would not "set him up" if the doctor were only clever enough—added to his general disbelief in Middlemarch charms, made a doubly effective background to this vision of Rosamond, whom old Featherstone made haste ostentatiously to introduce as his niece, though he had never thought it worth while to speak of Mary Garth in that light. Nothing escaped Lydgate in Rosamond's graceful behaviour: how delicately she waived the notice which the old man's want of taste had thrust upon her by a quiet gravity, not showing her dimples on the wrong occasion, but showing them afterwards in speaking to Mary, to whom she addressed herself with so much
