Page:Eliot - Middlemarch, vol. I, 1871.djvu/284

himself under the breath of the sweet south on a bank of violets for a while, without prejudice to his galvanism, to which he would presently return. But this evening the old drama had a new catastrophe. At the moment when the heroine was to act the stabbing of her lover, and he was to fall gracefully, the wife veritably stabbed her husband, who fell as death willed. A wild shriek pierced the house, and the Provençale fell swooning: a shriek and a swoon were demanded by the play, but the swooning too was real this time. Lydgate leaped and climbed, he hardly knew how, on to the stage, and was active in help, making the acquaintance of his heroine by finding a contusion on her head and lifting her gently in his arms. Paris rang with the story of this death:—was it a murder? Some of the actress's warmest admirers were inclined to believe in her guilt, and liked her the better for it (such was the taste of those times); but Lydgate was not one of these. He vehemently contended for her innocence, and the remote impersonal passion for her beauty which he had felt before, had passed now into personal devotion, and tender thought of her lot. The notion of murder was absurd: no motive was discoverable, the young couple being understood to dote on each other; and it was not unprecedented that an accidental