There will be nobody besides Lovegood." Celia could not help relenting. "Poor Dodo," she went on, in an amiable staccato. "It is very hard: it is your favourite fad to draw plans."
"Fad to draw plans! Do you think I only care about my fellow-creatures' houses in that childish way? I may well make mistakes. How can one ever do anything nobly Christian, living among people with such petty thoughts?"
No more was said; Dorothea was too much jarred to recover her temper and behave so as to show that she admitted any error in herself. She was disposed rather to accuse the intolerable narrowness and the purblind conscience of the society around her: and Celia was no longer the eternal cherub, but a thorn in her spirit, a pink-and-white nullifidian, worse than any discouraging presence in the 'Pilgrim's Progress.' The fad of drawing plans! What was life worth—what great faith was possible when the whole effect of one's actions could be withered up into such parched rubbish as that? When she got out of the carriage, her cheeks were pale and her eyelids red. She was an image of sorrow, and her uncle who met her in the hall would have been alarmed, if Celia had not been close to her looking so pretty and composed, that he at once concluded Dorothea's tears to have
