structure he adopts the form preferred by Shakespeare, whose "sugared sonnets" may by this date have passed beneath his eye. The melodies piped by other sonnet-shepherds re-echo with a great deal of distinctness in Covin's strains; nevertheless he has himself taken a draught from the true Elizabethan fount of lyric inspiration, and the nymph Chloris with her heart-robbing eye well deserves a place on the snow-soft downs where the sonneteering shepherds were wont to assemble.
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