it was packed, the aisles full. Professors with string mustaches and dog-eared Bibles, men students in sweaters or flannel shirts, earnest young women students in homemade muslin with modest ribbons, over-smiling old maids of the town, venerable saints from the back-country with beards which partly hid the fact that they wore collars without ties, old women with billowing shoulders, irritated young married couples with broods of babies who crawled, slid, bellowed, and stared with embarrassing wonder at bachelors.
Five minutes later Elmer would not have had a seat down front. Now he could not escape. He was packed in between his mother and a wheezing fat man, and in the aisle beside his pew stood evangelical tailors and ardent school-teachers.
The congregation swung into "When the Roll Is Called Up Yonder" and Elmer gave up his frenzied but impractical plans for escape. His mother nestled happily beside him, her hand proudly touching his sleeve, and he was stirred by the march and battle of the hymn:
And the morning breaks eternal, bright and fair. . . .
They stood for the singing of "Shall We Gather at the River?" Elmer inarticulately began to feel his community with these humble, aspiring people—his own prairie tribe: this gaunt carpenter, a good fellow, full of friendly greetings; this farm-wife, so courageous, channeled by pioneer labor; this classmate, an admirable basket-ball player, yet now chanting beatifically, his head back, his eyes closed, his voice ringing. Elmer's own people. Could he be a traitor to them, could he resist the current of their united belief and longing?
The beautiful, the beautiful river,
Gather with the saints at the river
That flows by the throne of God.
Could he endure it to be away from them, in the chill void of Jim Lefferts' rationalizing, on that day when they
