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EMILY BRONTË.

continue for another year at Brussels. "In a year," he says, "each of your daughters would be completely provided against the future; each of them was acquiring at the same time instruction and the science to instruct. Mademoiselle Emily has been learning the piano, receiving lessons from the best master that we have in Brussels, and already she had little pupils of her own; she was therefore losing at the same time a remainder of ignorance, and one, more embarrassing still, of timidity. Mademoiselle Charlotte was beginning to give lessons in French, and was acquiring that assurance and aplomb so necessary to a teacher. One year more, at the most, and the work had been completed, and completed well."

Emily, as we know, refused the lure. Once at Haworth, she was not to be induced, by offer of any advantages, to quit her native heath. On the other hand, Charlotte desired nothing better. Hers was a nature very capable of affection, of gratitude, of sentiment. It would have been a sore wrench to her to break so suddenly with her busy, quiet life in the old mansion, Rue d'Isabelle. Almost imperceptibly she had become fast friends with the place. Mary Taylor had left, it is true, and bright, engaging Martha slept there, too sound to hear her, in the Protestant cemetery. But in foreign, heretic, distant Brussels there were calling memories for the downright, plain little Yorkshire woman. She could not choose but hear. The blackavised, tender-hearted, fiery professor, for whom she felt the reverent, eager friendship that intellectual girls often give to a man much older than they; the doctor's family; even Madame Beck; even the Belgian schoolgirls—she should like to see them all again. She did not perhaps realise how different a place Brussels would seem without her sister. And it would certainly be an advantage for the school that she should