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EMILY BRONTË.

about to say 'perusing those old volumes,' then it would have revealed my knowledge of their written as well as their printed contents; so I went on, 'in spelling over the name scratched on that window-ledge: a monotonous occupation calculated to set me asleep, like counting, or—.' 'What can you mean by talking in this way to me!' thundered Heathcliff with savage vehemence. 'How—how dare you, under my roof? God! he's mad to speak so!' And he struck his forehead with rage.

"I did not know whether to resent this language or pursue my explanation; but he seemed so powerfully affected that I took pity and proceeded with my dreams . . . . Heathcliff gradually fell back into the shelter of the bed, as I spoke; finally sitting down almost concealed behind it. I guessed, however, by his irregular and intercepted breathing, that he struggled to vanquish an excess of violent emotion. Not liking to show him that I had heard the conflict, I continued my toilette rather noisily . . . . and soliloquised on the length of the night. 'Not three o'clock yet! I could have taken oath it had been six. Time stagnates here: we must surely have retired to rest at eight!'

"'Always at nine in winter, and rise at four,' said my host, suppressing a groan; and, as I fancied, by the motion of his arm's shadow, dashing a tear from his eyes. 'Mr. Lockwood,' he added, 'you may go into my room: you'll only be in the way, coming downstairs so early . . . . Take the candle and go where you please. I shall join you directly. Keep out of the yard, though, the dogs are unchained; and the house—Juno mounts sentinel there, and—nay, you can only ramble about the steps and passages. But, away with you! I'll come in two minutes.'