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EMILY BRONTË.

its absolute freedom from desire; even the wicked and desperate Heathcliff has no ignoble love for Catharine; all he asks is that she live, and that he may see her; that she may be happy even if it be with Linton. "I would never have banished him from her society, while she desired his," asserts Heathcliff, and now she is mad with grief and dying. The consciousness of their strained and thwarted natures, moreover, makes us the more regretful they must sever. Had he survived, Romeo would have been happy with Rosalind, after all; probably Juliet would have married Paris. But where will Heathcliff love again, the perverted, morose, brutalised Heathcliff, whose only human tenderness has been his love for the capricious, lively, beautiful young creature, now dazed, now wretched, now dying in his arms? The very remembrance of his violence and cruelty renders more awful the spectacle of this man, sitting with his dying love, silent; their faces hid against each other, and washed by each other's tears.

At last they parted: Gatharine unconscious, half-dead. That night her puny, seven-months' child was born; that night the mother died, unutterably changed from the bright imperious creature who entered that house as a kingdom, not yet a year ago. By her side, in the darkened chamber, her husband lay, worn out with anguish. Outside, dashing his head against the trees in a Berserker-wrath with fate, Heathcliff raged, not to be consoled.

"'Her senses never returned: she recognised nobody from the time you left her,’ I said. 'She lies with a sweet smile upon her face, and her latest ideas wandered back to pleasant early days. Her life closed in a gentle dream—may she wake as kindly in the other world!'

"'May she wake in torment!' he cried, with frightful