Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/293

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Trigorin embodies her dream of a brilliant and interesting life.

Nina. How I envy you, if you but knew it! How different are the lots of different people! Some can hardly drag on their tedious, insignificant existence; they are all alike, all miserable; others, like you, for instance — you are one in a million — are blessed with a brilliant, interesting life, all full of meaning. . . . You are happy. What a delightful life yours is!

Trigorin. What is there so fine about it? Day and, night I am obsessed by the same persistent thought; I must write, I must write, I must write. . . . No sooner have I finished one story than I am somehow compelled to write another, then a third, and after the third a fourth. : . . I have no rest for myself; I feel that I am devouring my own life. . . . I've never satisfied myself. . . . I have the feeling for nature; it wakes a passion in me, an irresistible desire to write. But I am something more than a landscape painter; I'm a citizen as well; I love my country, I love the people; I feel that if I am a writer I am bound to speak of the people, of its suffering, of its future, to speak of science, of the rights of man, etc., etc.; and I speak about it all, volubly, and am attacked angrily in return by everyone; I dart from side to side like a fox run down by hounds; I see that life and science fly farther and farther ahead of me, and I fall farther and farther. behind, like the countryman running after the train; and in the end I feel that the only thing I can write of is the landscape, and in everything else I am untrue to life, false to the very marrow of my bones.