Page:Emma Goldman - The Social Significance of the Modern Drama - 1914.djvu/316

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A lean boy is brought in, muzzled; he is followed by a ragged woman.

Woman. Have mercy! He stole an apple for me, your Honor. I was sick, thought he. "Let me bring her a. little apple." Pity him! Tell them that you won't any more. Well! Speak!

Starveling. I won't any more.

Woman. I've already punished him myself. Pity his youth, cut not at the root his bright little days!

Voices. Indeed, pity one and then the next. Cut the evil at its roots.

——— One needs courage to be ruthless.

——— It is better for them.

——— Now he is only a boy, but when he grows up—

King-Hunger. Starveling, you are condemned.

A starveling, heavily muzzled, is dragged in. He is big and strong. He protests to the court: he has always been a faithful slave. But King-Hunger announces that the man is dangerous, because the faithful slave, being strong and honest, is "obnoxious to people of refined culture and less brawny." The slave is faithful to-day, King-Hunger warns the judges, but "who can trust the to-morrow? Then in his strength and integrity we will encounter a violent and dangerous enemy."

In the name of justice the faithful slave is condemned. Finally the last starveling appears. He looks half human, half beast.