whose ordination he preached one of his published dis courses. From this time forward his energies were devoted, in addition to his pulpit labours, chiefly to the furtherance of great schemes of social reform. Of the anti-slavery cause he was throughout the firm, eloquent, and uncom promising advocate ; and in every question that bore upon the happiness of the people he took a lively interest. Of his publications, the most extensively read are his Remarks on the Life and Character of Napoleon Bonaparte, his Remarks on the Character and Writings of John Milton, his Essay on the Character and Writings of Fenelon, his Essay on Self-Culture, and his Essay on the Importance and Means of a National Literature. He died in the sixty-third year of his age, on Sunday, the 2d of October 1842, whilst on a journey, at Bennington, Vermont, and was buried at Boston, on the 7th of that month. An extended memoir of him by his nephew, William Henry Channing, appeared in 1848 (republished in 1870). His Complete Works were
published in 2 vols., London, 1865.(w. l. a.)
CHANTIBAN, a large town of Siam, the capital of a province of the same name, on the south bank of a small river near its mouth in the Gulf of Siam, 150 miles S.E. of Bangkok, in 12° 45′ N. lat. and 102° 18′ E. long. It is the seat of one of the Siamese arsenals, and has a considerable export trade in pepper, cardamoms, rosewood, dye woods, ship-timber, hides, horns, and ivory. In the vicinity there are mines of precious stones. The population, which is estimated at 30,000, contains a large proportion of Chinese traders.
CHANTILLY, a small town of France, in the department of Oise, 25 miles north of Paris by the main line of the great northern railway. It is finely situated near the River Nonette, and is one of the favourite Parisian resorts. Its name has long been associated with the manufacture of lace and blonde, and it is still more celebrated for its chateaux and pleasure grounds, and as the scene of the great annual races of the French Jockey Club. The old castle must have been in existence in the 13th century, and in the reign of Charles "VI. the lordship belonged to Pierre d Orgemont, Chancellor of France. In 1484 it was trans ferred by his grandson to the house of Montmorency, and in 1632 it passed from that family to the house of Conde". The Prince de Conde", surnamed the Great, was specially attached to the spot, and did a great deal to enhance its beauty and splendour. Here he enjoyed the society of La Bruyere, Racine, Moliere, La Fontaine, Boileau, and other great men of his time ; and here his steward Yatel killed himself in despair, because something had gone wrong with the preparations for the reception of his majesty Louis XIV. Of the two splendid mansions that then existed, and were known as the Grand Chateau and the Petit Chateau, the former was destroyed about the time of the Revolution, but the latter still remains as one of the finest specimens of the Renaissance architecture in France. On the death of the duke of Bourbon, the last representative of tha house of Conde", the estate passed into the hands of the Due d Aumale, fourth son of Louis Philippe. In 1853 the house of Orleans was declared incapable of possessing property in France, and Chantilly was accordingly sold by auction. Purchased by the English bankers Coutts & Co. for the sum of 11,000,000 francs, it has sinca passed back into the hands of the duke. There is a hospital in the town, built and endowed by the last Prince de Conde", and the parish church contains the grave of the Admiral Coligny, who perished in the massacre of St Bartholomew. Among the modern buildings is an Episcopalian church, erected for the English residents, who are mainly jockeys or grooms. Population in 1872, 3461. See Du Cerceau- Perelle ; Merigot, Promenade des Jardins de Chantilly, 1791 ; and Fauquemprez, Histoire de Chantilly, 1840.
repute, was born on 7th April 1782, at Norton, near Sheffield, where his father cultivated a small property of his own. His father died when he was eight years of age ; and, his mother having married again, his profession was left to be chosen by his friends. In his sixteenth year he was on the point of being apprenticed to a lawyer in Sheffield, when, having seen some wood-carving in a shop- window, he requested to be made a carver instead of a solicitor, and was accordingly placed with a Mr Ramsay, wood-carver in Sheffield. When in this situation, he became acquainted with Mr Raphael Smith, a distinguished draftsman in crayon, who gave him lessons in painting ; and Chantrey, eager to commence his course as an artist, procured the cancelling of his indentures, and went to try his fortune in Dublin and Edinburgh, and finally in Lon don. Here he first obtained employment as an assistant wood-carver, but at the same time devoted himself to portrait-painting, bust-sculpture, and modelling in clay. The sculptor Nollekens showed particular zeal in recognizing his merits. His first imaginative work was the model of the head of Satan, which was exhibited at the Royal Academy in 1808. He afterwards executed for Greenwich Hospital four colossal busts of the admirals Duncan, Howe, Vincent, and Nelson ; and so rapidly did his reputation spread that the next bust which he executed, that of Home Tooke, procured him commissions to the extent of 12,000. From this period he was almost uninterruptedly engaged in professional labour. In 1819 he visited Italy, and became acquainted with the most distinguished sculptors of Florence and Rome. He was chosen an associate, and afterwards a member, of the Royal Academy (1816 and 1818), received the degree of M.A. from Cam- bridge, and that of D.C.L. from Oxford, and in 1837 was knighted. He died after an illness of only two hours duration, on the 25th November 1841, having for some years suffered from disease of the heart, and was buried in a tomb constructed by himself in the church of his native village. The works of Chantrey are extremely numerous. The principal are the statues of Washington in the State- house of Boston, of George III. in London, of George IV. at Brighton, of Pitt in Hanover Square, London, of Watt in Westminster Abbey and at Glasgow, of Roscoe and Canning at Liverpool, of Dalton at Manchester, of Lord-President Blair and Lord Melville in Edinburgh, etc. Of his equestrian statues the most famous are those of Sir Thomas Munro at Calcutta, and the Duke of Wellington in front of the London Exchange. But the finest of Chantrey s works are his busts, and his delineations of children. The figures of two children asleep in each other s arms, which form a monumental design in Lichfield Cathedral, have always been lauded for beauty, simplicity, and grace. So is also the statue of the girlish Lady Louisa Russell, represented as standing on tiptoe and fondling a dove in her bosom. Both these works, it should, however, be explained, were executed from designs by Stothard ; for Chantrey knew his own scantiness of ideal invention or composition, and on system sought aid from others for such attempts. In busts, his leading excellence is facility a ready unconstrained air of life, a prompt vivacity of ordinary expression. Allan Cunningham and Weekes were his chief assistants, and were indeed the active executants of many works that pass under Chantrey s name. Chantrey was a man of warm and genial temperament, and is said to have borne a noticeable though commonplace resem blance to the usual portraits of Shakespeare. He bequeathed his valuable collection, and his whole fortune, after the death of Lady Chantrey, to the Royal Academy, for the encouragement of British sculpture and painting.
It is but very recently that this bequest has taken actual
