by the essayists, many of whom, with a somewhat imperfect knowledge of their subject, have essayed to give us information on the subject of this artist and his works. It is just this early period of his life, in which he first followed and then gradually emancipated himself from the artistic control and influence of Gillray, which seems to us to afford the most interesting study of the man's career. Nevertheless, nearly all the articles we have read on George Cruikshank would give us the idea that, with the exception of certain designs for woodcuts for Hone—such as the celebrated Non Mi Ricordo and others—certain rough coloured engravings for "The Meteor," "The Scourge," and other periodicals of a kindred stamp, the artist executed but few caricatures properly so called. This at least is the impression which these articles have left on our own minds; and we can only account for the little notice taken of him as a caricaturist by the fact that, unlike the etchings which he produced when in the prime of his career, his caricatures are not only exceedingly scarce, but being in many cases unsigned, are capable only of being recognised by those intimately acquainted with his early handiwork.
The caricatures of George Cruikshank may be divided into three classes: first, those which are wholly designed and etched by himself; secondly, those which he designed after the sketches or suggestions of his friends; and thirdly, those merely etched from the designs of other artists. We find the first, although frequently unsigned, more usually signed (on the left hand), "Geo. Cruikk. fect." or "invt. & fect."; the second—"invt. G. Cruikk. feet.;" while the third are indicated as merely etched by him. Of the second class it may be remarked that with the exception of the mere sketch or suggestion, the drawing and the workmanship are oftentimes unmistakably George's own. In the description of his caricatures which follow, we shall indicate the designs which belong to this class with an asterisk.
Publications such as "The Scourge," although containing many caricature designs by George Cruikshank, are scarcely among those to which the present chapter was intended to be devoted.
