slow piaffer. I prefer to begin this late in the autumn, so as to have a whole winter before me.
First of all, I perfect the manege walk to the point where I can myself determine on which diagonal biped the horse shall start. When I am complete master of either diagonal biped, I begin to carry my horse backward, with the same cadence and tempo. I execute six steps forward and six backward. Then I interpolate a slow trot, which I call the recreation trot, and begin again. I keep my horse always straight, and I take special pains to have the strides of the two diagonal bipeds supple and precisely alike. I realize that my horse will need a great muscular development in order to gain in height what he loses in motion forward. Therefore, I use great moderation, and give a large amount of recreative exercise.
After several days, if the work is well done, it becomes apparent that each diagonal biped is staying in the air a slightly longer time than before. At this point, I need to hold on to myself, and to temper my impatience to begin the tempo of the trot. But I continue, I favor, I protect, I recompense, more and more and patiently.
The time comes, always and quite soon, that the horse walks step by step, so slowly that each diagonal biped, in cadence, stays in the air a longer or shorter time. When this habit is completely fixed, I stop the horse and attack him very gently so that he merely feels the pressure of my spurs. When the
