two, three, or four manifestations of the passage. Stop. Caress. Take off the bridle. Carrots. Stable.
The next day the same work, at the same hand. Do not alter anything. Impress, engrave on the horse's memory, these first foreshadowings of the passage.
During this early work on the passage, stay at the side of the manege and do not try the center. If you do, you will be sorry afterwards, for you will send your horse's haunches to the right or left, instead of having them straight. When the signs of the passage become more marked, before asking for the movement, attack the horse very lightly, with the "delicate touch of the spurs" of Gueriniere, or, as I call it, "the honeyed attack." Do this always at the manege walk, and ask the cadence by the calves of the legs only. Obtain three or four steps. Then let go. Begin again. Repeat this, at the utmost, no more than four to six times at each lesson.
At this point, supposing that you have worked properly thus far, I must especially advise that you do not, under any conditions or circumstances, let the horse take the cadence of the passage at its own initiative. Let it do this only when you ask the action by your diagonal effects. Be very sure of this.
When progress begins to be marked, the time has come for a change of hand at each success. Otherwise the diagonal biped that has been nearest the wall will develop more energy or more action. Nothing must be neglected that will make for that
