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parent action of finite monads upon each other, is really the result of that original harmonious arrangement of God, in virtue of which He secures, without fail, those ends which He contemplated when the universe issued from his hands. The phenomena attendant on that fruitful theme of philosophical disputation, the union of soul and body,—of the self-conscious monad and the related monads of an inferior order,—are counted capable of explanation on the same general principle. The successive changes of the soul must exactly tally with those of the body; yet without any mutual action. They are related as two clocks, of which the one points to the hour exactly as the other strikes; or as separate parts of the same clock,—for Leibnitz likens the whole universe to a timepiece which was wound up in the act of creation, and which thenceforward pursues its own movements harmoniously for ever.[1] Mind and matter—the realm of final causes, and the realm of efficient causes—are thus in necessary harmony. And a like harmony must obtain between reason and religious faith—the kingdom of nature, and the city of God.

This last harmony links the theological with the merely philosophical part of the system of Leibnitz; and introduces us to his philosophy of religion. A question may be asked,—If the universe—moral as well as physical—is a self-regulating machine, is not the Creator

  1. A comparison of this doctrine of pre-established harmony with the late Dr. Brown's Theory of Cause and Effect, illustrating their partial similarity and partial contrast, might tend to excite an important train of metaphysical speculation.