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is essentially genial; but he has given stout blows in his day, and the sound of his vigorous warfare rings harshly in our unaccustomed ears. "The old giants of English fun" were neither soft-spoken nor soft-handed gentry, and it seems to us now and then as if they laid about them with joyous and indiscriminate activity. Even Dickens, the last and greatest of his race, and haunted often to his fall by the beckoning of mirthless modern phantoms, shows in his earlier work a good deal of this gleeful and unhesitating belligerency. The scenes between old Weller and Mr. Stiggins might be successfully acted in a spirited puppet-show, where conversation is of less importance than well-timed and well-bestowed pommeling. But we have now reached that point of humane seriousness when even puppet-shows cannot escape their educational responsibilities, and when Punch and Judy are gravely censured for teaching a lesson in brutality. The laughter of generations, which should protect and hallow the little manikins at play, counts for nothing by the side of their irresponsible naughtiness, and their cheerful disregard of all our moral standards. Yet