system of lying; and much well-merited severity has been expended upon such questionable diversions as hoaxing, quizzing, "selling," and other variations of the game, the titles of which have long since passed away, leaving their substance behind them. It would be easy, but untrue, to say that real humor has nothing whatever to do with these unworthy offshoots, and never encourages their growth. The fact remains that they spring from a great humorous principle, and one which critics have been prompt to recognize, and to embody in language as clear and unmistakable as possible. "Lying," says Hazlitt, "is a species of wit and humor. To lay anything to a person's charge from which he is perfectly free shows spirit and invention; and the more incredible the effrontery the greater is the joke." "The terrors of Sancho," observes M. Scherer, "the rascalities of Scapin, the brags of Falstaff, amuse us because of their disproportion with circumstances, or their disagreement with facts." Just as Charles Lamb humanizes a brutal jest by turning it against himself, so Sir Walter Scott gives amusing emphasis to a lie by directing it against his own personality.
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WIT AND HUMOR.
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