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of humor is, not to divert ourselves with, but to defend ourselves against, the folly of fools; for much of the world's misery is entailed upon her by her eminently well-meaning and foolish children. There is no finer proof of Miss Austen's matured genius than the gradual mellowing of her humor, from the deliberate pleasure affected by Elizabeth Bennet and her father in the foibles of their fellow-creatures to the amused sympathy betrayed in every page of "Emma" and "Persuasion." Not even the charm and brilliance of "Pride and Prejudice" can altogether reconcile us to a heroine who, like Uranie, diverts herself with the failings of mankind. What a gap between Mr. Bennet's cynical praise of his son-in-law, Wickham,—which, under the circumstances, is a little revolting,—and Mr. Knightley's manly reproof to Emma, whose youthful gayety beguiles her into an unkind jest. While we talk much of Miss Austen's merciless laughter, let us remember always that the finest and bravest defense of harmless folly against insolent wit is embodied in this earnest remonstrance from the lips of a lover who is courageous enough to speak plain truths, with no suspicion of priggishness to mar their wholesome flavor.