gant, and yet who had read and enjoyed so much. "Pushkin and Zhukovsky were literature to them," he says wistfully, "and not, as to me, little books in yellow bindings which I had studied as a child." But how, one wonders, could Pushkin have remained merely a "little book in yellow binding" to any boy who had had the happiness of studying him as a child? Pushkin is the Russian Byron, and embodies in his poems the same spirit of restless discontent, of dejected languor, of passionate revolt; not revolt against the Tsar, which is a limited and individual judgment, but revolt against the bitter penalties of life, which is a sentiment common to the youth of all nations and of every age. Yet there are Englishmen who have no word save that of scorn for Byron, and I feel uncertain whether such critics ever enjoyed the privilege of being boys at all. If to George Meredith's composed and complacent mind there strays any wanton recollection of young, impetuous days, how can he write with pen of gall these worse than churlish lines on Manfred?—
"Projected from the bilious Childe,
This clatterjaw his foot could set
