This page has been validated.
THREE FAMOUS OLD MAIDS
169

for silence and uncertainty are death in life to some people."

But if there is one thing more than another to be avoided and ruthlessly condemned, it is this quiet assumption that a woman has parted with her heart, when she herself has breathed no word to warrant it. The cheerful serenity of Jane Austen's daily life showed no ripple of storm, her lips told no tale; and why are we to assume that a young man whom she met for a few idle weeks and never saw again had broken down the barriers of that self-possessed nature, had overcome the gay indifference which showed no signs of hurt? As for the popular theory that Anne Elliot's gentle enduring love and poor Fanny Price's hours of bravely borne pain were imaged from the depth of their author's experience, we have but to remember that the same hand gave us Harriet Smith, with her fluctuating, lightly won affections, and Charlotte Collins, sensible and happy, enjoying her pleasant home, and enduring—or avoiding—her solemn, pompous, servile, stupid husband. As well connect one