the same effect upon every one, must excite a more immediate and natural sympathy than those which depend
with such delight their own dramatic pieces, which abound in nothing but general maxims, and vague declamation, never embodying any thing, and which would appear quite tedious to an English audience, who are generally considered as a dry, dull, plodding people, much more likely to be satisfied with formal descriptions and grave reflections. This appears to me to come to the same thing that I have said before, namely, that it is characteristic of the French that their feelings let go their hold of things almost as soon as the first impression is made. Except sensible impressions therefore (which have on that account more force, and carry them away without opposition while they last) all their feelings are general; and being general, not being marked by any strong distinctions, nor built on any deep foundation of inveterate associations, one thing serves to excite them as well as another, the name of the general class to which any feeling belongs, the words pleasure, charming, delicious, &c., convey just the same meaning, and excite the same kind of emotion in the mind of a Frenchman, and at the same time do it more readily, than the most forcible description of real feelings and objects. The English on the contrary are not so easily moved with words, because being in the habit of retaining individual images and of brooding over the feelings connected with them, the mere names of general classes, or (which is the same thing) vague and unmeaning descriptions or sentiments, must appear perfectly indifferent to them. Hence the French are all delighted with Racine, the English (I mean some of them) admire Shakespeare. Rousseau is the only French writer I am acquainted with (though he by the bye was not exactly a Frenchman) who from the depth of his feelings, without many distinct images, produces the same kind of interest in the mind that is excited by the events and recollections of our own lives. If he had not true genius, he had at least something which was a very good substitute for it. The French generalize perpetually, but seldom comprehensively: they make an infinite number of observations, but have never discovered any great principle. They immediately perceive the analogy between a number of facts of the same class, and make a general inference, which is done the more easily, the fewer particulars you trouble
