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of what, to them, is a complicated and mysterious case; and only the narrator of the tale has scope enough to see it all, to resolve it back into simplicity, and to put it in its rightful place among his larger categories.

I make no claim for originality in following a method of which "La Grande Bretêche" and "The Ring and the Book" had set me the magnificent example; my one merit is, perhaps, to have guessed that the proceeding there employed was also applicable to my small tale.

I have written this brief analysis—the first I have ever published of any of my books—because, as an author's introduction to his work, I can imagine nothing of any value to his readers except a statement as to why he decided to attempt the work in question, and why he selected one form rather than another for its embodiment. These primary aims, the only ones that can be explicitly stated, must, by the artist, be almost instinctively felt and acted upon before there can pass into his creation that imponderable something more which causes life to circulate in it, and preserves it for a little from decay.


Edith Wharton.

March 31st, 1922.