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ETHEL CHURCHILL.
161


Walter Maynard is bending over a little table, while the rapid pen is slow in putting down the thoughts that crowd upon him. His cheek is flushed with eagerness, and the red lip is curved with triumph. It does not suit the scene around; but from that the mind of the young poet is far, far away. There was that desolate air about the chamber which is peculiar to an ill-furnished London room: cities need luxuries, were it only to conceal the actual. In the country, an open window lets in at once the fair face of heaven: the sunshine has its own cheerfulness; the green bough flings on the floor its pleasant shade; and the spirit sees, at a glance, the field and the hedge where the hawthorn is in bloom. Not so in a town: there smoke enters at the casement; and we look out upon the darkened wall, and the narrow street, where the very atmosphere is dull and coarse. Its gloomy influence is on all.

The room where Walter was seated writing was one that any, who had looked inside for a moment, must have known could only have