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EUGENE ARAM.

group, and rested on Aram's countenance now no longer calm, but full of woe—of passion—of disappointed love—of anticipated despair—she rose, and gradually recoiling with a fear which struck dumb her voice, thrice attempted to speak, and thrice failed.

"But what—what is—what means this?" exclaimed Ellinor. "Why do you weep, father? Why does Eugene turn away his face? You answer not. Speak, for God's sake! These strangers—what are they? And you, Walter, you—why are you so pale? Why do you thus knit your brows and fold your arms? You—you will tell me the meaning of this dreadful silence—this scene! Speak, cousin—dear cousin, speak!"

"Speak!" cried Madeline, finding voice at length, but in the sharp and straining tone of wild terror, in which they recognized no note of the natural music. That single word sounded rather as a shriek than an adjuration; and so piercingly it ran through the hearts of all present, that the very officers, hardened as their trade had made