Chorus celebrates the power and deprecates the wrath of Venus, and deplores the exile's lot, the real Deus ex machinâ of this tragedy presents himself—not hovering in the air, nor gorgeous in apparel, nor a god or the son of a god, but a rather commonplace, prosy gentleman, Ægeus, king of Athens, on his way home from Delphi. Of him no more need be said than that, by promising by his gods to shelter Medea, and yield her up to none, he removes the one difficulty in her way which still perplexed her. Now at last she is armed at all points—she has an assured home and protector, time to strike down every foe, weapons they cannot guard against, and means to escape if pursued.
Her wronged children shall be the instrument of her vengeance. As to Jason himself, she has changed her purpose; he shall not have the privilege of dying, for she can make life to him more wretched than many deaths. She summons him again to her presence; pretends to regret her late hot words; will even conciliate his new wife with such gifts as none but kings' daughters can bestow. Her conditions are, that if the robe and crown be accepted by Glaucè, the children shall not quit the realm. Jason, thinking that Medea is now in her right mind, assents to both proposals, and goes out to prepare his new wife for the presents. The Chorus, who are in the secret, apprise the audience that these gauds are far deadlier than were Bellerophon's letters:—
"By the grace and the perfect gleaming won,
