he turned flatterer of kings in his later days. We can as soon believe that the grim Dante became a parasite at the court of Can Grande della Scala. Aristotle, indeed, a more trustworthy authority than Lucian, tells the following story:—Decamnichus, a young Macedonian, and a favourite of the king, gave deep offence to Euripides by remarks on his bad breath. Complaint being made, the indiscreet youth was handed over to the incensed poet, with the royal permission to flog him; and soundly flogged he seems to have been, since Decamnichus bore his chastisement in mind for six years, and then relieved his feelings by encouraging some friends or acquaintances, Euripides being out of reach, to murder Archelaus.[1]
At the Macedonian court Euripides was not the only Athenian guest. His friend Agathon, flying perhaps from duns, critics, or public informers, found a royal city a pleasanter residence than a democratic one. There, was the celebrated musical composer, Timotheus, whom, when he was hissed at the Odeum some years before, Euripides is said to have consoled by predicting that "he would soon have the audience at his feet"—a prophecy that was fully realised. His presence at Pella may have been convenient to Euripides, who was then employed in putting the last touches to, if not actually composing, two of his finest plays—"The Bacchanals" and the "Iphigenia at Aulis." There, too, was Chœrilus, an epic poet, who celebrated in Homeric verse the wars of the Greeks with Darius and Xerxes. The society at King Archelaus's table,
