—Copper Chariot from Tree—Copper Shoes—Caution Rhyme—Ball Success—Pursuit Rhyme—Step-Sisters' Envy—Second Ball—Magic Dress (golden brown earth with flowers)—Silver Chariot—Silver Shoes—Honey trap—Pursuit Rhyme—Third Ball—Magic Dress (green sea with waves)—Golden Chariot—Golden Slippers—Tar Trap (lost shoe)—Time Expired—Shoe Marriage Test—Mutilated Foot—Feet Rhyme (bis)—Happy Marriage.
It is in accordance with the above formula that the version presented in the preceding pages has been written, the rhymes being, in most cases, compounded from the various renderings given in Miss Cox's volume. I have only added the Caution Rhyme about returning at midnight, which is in prose in the versions; it would be incongruous for the little bird to change her mode of diction so suddenly. I can only hope I will not remind the reader of the guide's description of Wallenstein's horse at Prague: "The head, neck, forelegs, left hind-leg, and part of the back and tail have been restored; all the rest is the original horse."
Parallels.—Miss Cox's volume contains all the parallels of the Cinder-Maid formulas, to which reference has been made above, and she has supplemented these by a few additional ones in Folk-Lore for 1907, pages xviii; 191-6. In addition, she gives, in her notes, parallels to the different incidents:
Note 4. (Help by dead parent.) Note 6. (Pursuit checked by mist.) Note 7. (Magic tree on buried mother's grave.) Note 8. (Substituted bride.) Note 26. (Sitting on ashes.) Note 32. (Birds' language.) Note 38. (Tree or rock treasures.) Note 48. (Lost shoe.) Note 50. (Iron shoes,) and further notes on, Helpful, animals, p. 526. Fairy god-mother, p. 527 and Talking birds, p. 527-9.
Of these the most important for our present purposes is the 48th note dealing with the Lost Shoe, which we have suggested is the central incident in the "original." In
