a "poseur," a dealer in false words, a concocter of the non-existent? Did the eyes of dancers never gleam in his? Did Renée never issue forth from that dim arch-way where he waited? Did Nora never dance upon the pavement? Was Violet but the figment of a poet's dreams? And was that painted angel, Peppina, a mere psychic snare? Could any man—even a poet—write as he did of Muriel at the Opera if there had been no Muriel? It seemed highly improbable. Finally I decided that, ere departing for Reine or Anna or Bianca, I would sally forth into the night of London and see if, after all, romance did not lurk in the darkened corners.
At first I started without a guide, trusting to my own knowledge of the city, intending to follow up vague rumours to which I had lent but half an ear. Later I equipped myself with a guide—not a professional guide, but a man of means and of easy
