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NIGHT AND MOONLIGHT.
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dreariness of the scenery, and the perpetual twilight of the Arctic night. So he whose theme is moonlight, though he may find it difficult, must, as it were, illustrate it with the light of the moon alone.

Many men walk by day; few walk by night. It is a very different season. Take a July night, for instance. About ten o'clock,—when man is asleep, and day fairly forgotten,—the beauty of moonlight is seen over lonely pastures where cattle are silently feeding. On all sides novelties present themselves. Instead of the sun there are the moon and stars, instead of the wood-thrush there is the whip-poor-will,—instead of butterflies in the meadows, fire-flies, winged sparks of fire! who would have believed it? What kind of cool deliberate life dwells in those dewy abodes associated with a spark of fire? So man has fire in his eyes, or blood, or brain. Instead of singing birds, the half-throttled note of a cuckoo flying over, the croaking of frogs, and the intenser dream of crickets. But above all, the wonderful trump of the bull-frog, ringing from Maine to Georgia. The potato-vines stand upright, the corn grows apace, the bushes loom, the grain-fields are boundless. On our open river terraces once cultivated by the Indian, they appear to occupy the ground like an army,—their heads nodding in the breeze.