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II
THE intangible something that places the stamp of popular approval on one musical enterprise, while another equally artistic and as cleverly managed languishes in a condition of unendorsed greatness, remains one of the unsolved mysteries.
When a worker in the vineyard of music or the drama offers his choicest tokay to the public, that fickle coquette may turn to the more ordinary and less succulent concord. And the worker and the public itself know not why.
It is true, Diotti's fame had preceded him, but fame has preceded others and
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