surprised as I am at the result of all this, almost tumbles off his perch, recovers, and flies over to another tree to begin the performance all over again. The whole is as grotesquely awkward and humorously meeching as the motions of the crow blackbird usually are.
Not only in bird voices, in willow and oak catkins, are these signs of spring. The ground underfoot is beginning to teem with them. Under pines it is starred with tiny, white blossoms while the ditch bottoms and the moister places everywhere are purple and white. Most springlike of all is the violet among the wild grasses in the flat woods. From its tiny, white flowers with their purplish veining I took it at first glance to be Viola blanda, our sweet, white violet of early May in all meadowy places. A closer examination, however, showed it to have beardless petals and instead of the round, heart-shaped leaves of our Northern variety lanceolate ones, tapering into long petioles. Therefore it is Viola lanceolata. But except for these minor differences it is the same flower, as delicately beautiful and enticing as when it grows fifteen hundred miles nearer the pole. Yet if one thinks a New England spring is at hand he has but to look up. On bare limbs in all swampy places, hang the solemn beards of Tillandsia, the Spanish moss, while on others grow grotesque pine-
