Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/155

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THE WHITE COWL.
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gave him a staff-like support in front. He was dressed in the sacred garb of his order. His heavy sabots crushed the clods in the furrows. His cream-colored serge cowl, the long skirt of which would have touched the ground, had been folded up to his knees and tied with hempen cords. The wide sleeves, falling away, showed up to the elbows the superb muscles of his bronzed arms; and the calotte, pushed far back from his head, revealed the outlines of his neck, full, round, like a column. Nearly a month had passed since the convent barber had sheared his poll, and his yellow hair was just beginning to enrich his temples with a fillet of thick curling locks. Had Father Palemon's hair been permitted to grow, it would have fallen down on each side in masses shining like flax and making the ideal head of a saint. But his face was not the face of a saint. It had in it no touch of the saint's agony—none of those fine subtle lines that are the material net-work of intense spirituality brooding within. Scant vegetarian diet and the deep shadows of cloistral life had preserved in his complexion the delicate hues of youth, noticeable still beneath the tan of recent exposure to the summer sun. His calm, steady blue eyes, also, had the open look peculiar to self-unconscious childhood; so that as he stood thus, tall, sinewy, supple, grave, bareheaded under the open sky, clad in spotless white, a singular union of strength, manliness, and unawakened innocence, he was a figure startling to come upon.

As he rested, he looked down and discovered that the hempen cords fastening the hem of his cowl were becoming untied, and walking to the border of grass which ran round the garden just inside the monastery wall, he sat down to secure the loosened threads. He was very