Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/159

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THE WHITE COWL.
141

to warm the pale cross on the spire yonder, the great drifting white clouds send a shiver through me as though uplifted snow-banks were passing over my head. I fancy that if I were to go inside I should see the white butterflies dropping down dead from the petals of the white roses, finding them stiff with frost, and that the white rabbits would be limping trembling through the frozen grass, like the hare in 'The Eve of St. Agnes.' Every thing becomes cold to me—cold, cold, cold! The bleak and rugged old monks themselves, in their hoary cowls, turn to personifications of perpetual winter; and if I were in the chapel, I should expect to meet in one of them Keats's very beadsman–patient, holy man, meagre, wan—whose fingers were numb while he told his rosary, and his breath frosted as it took flight for heaven. Ugh! I am cold now. My blood must be getting very thin."

"No; you make me shiver also."

"At least the impression is a powerful one. I have watched these old monks closely. Whether it is from the weakness of vigils and fasts or from positive cold, they all tremble—perpetually tremble. I fancy that their souls ache as well. Are not their cowls the grave-clothes of a death in life?"

"You seem to forget, Austin, that faith warms them."

"By extinguishing the fires of nature! Why should not faith and nature grow strong together? I have spent my life on the hill-side back yonder, as you know, and I have had leisure enough for studying these monks. I have tried to do them justice. At different times I have almost lived with St. Benedict at Subiaco, and St. Patrick on the mountain, and St. Anthony in the desert, and St. Thomas in the cell. I understand and value