Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/174

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THE WHITE COWL.

that had lain on his breast. Through the dread examination and the confessions Father Palemon sat motionless, his face shadowed by his hood, his arms crossed over his bosom, hiding this scarlet stain. What nameless foreboding had blanched his cheek when he first beheld it? It seemed to be a dead weight over his heart, as those earth-stains on the hem had begun to clog his feet.

That day he went the round of his familiar duties faultlessly but absently. Without heeding his own voice, he sang the difficult ancient offices of the Church in a full volume of tone, that was heard above the rich unison of the unerring choir. When, at twilight, he lay down on his hard, narrow bed, with the leathern cincture about his gaunt waist, he seemed girt for some lonely spiritual conflict of the midnight hours. Once, in the sad tumult of his dreams, his out-stretched arms struck sharply against some object and he awoke; it was the crucifix that hung against the bare wall at his head.

He sat up. The bell of the monastery tolled twelve. A new clay was beginning. A new day for him? In two hours he would set his feet, as evermore, in the small circle of ancient monastic exactions. Already the westering moon poured its light through the long windows of the abbey and flooded his cell. He arose softly and walked to the open casement, looking out upon the southern summer midnight. Beneath the window lay the garden of flowers. Countless white roses, as though censers swung by unseen hands, waved up to him their sweet incense. Some dreaming bird awoke its happy mate with a note prophetic of the coming dawn. From the bosom of the stream below, white trailing shapes rose ethereal through