Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/176

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THE WHITE COWL.

and of duty as he had never thought of them. The pale, dark hunchback, whom he had often seen haunting the monastery grounds and hovering around him at his work, had unconsciously drawn aside for him the curtains of the world and a man's nobler part in it. The woman, whom he had addressed as a devil, had come in his eyes to be an angel. Both had made him blush for his barren life, his inactivity. Both had shown him which way duty lay.

Duty? Ah! it was not duty. It was the woman, the woman! The old tempter! It was the sinful passion of love that he was responding to; it was the recollection of that sweet face against which his heart had beat—of the helpless form that he had borne in his arms. Duty or love, he could not separate them. The great world, on the boundaries of which he wished to set his feet, was a dark, formless, unimaginable thing, and only the light from the woman's face streamed across to him and beckoned him on. It was she who made his priestly life wretched—made even the wearing of his cowl an act of hypocrisy that was the last insult to Heaven. Better anything than this. Better the renunciation of his sacred calling, though it should bring him the loss of earthly peace and eternal pardon.

The clock struck half-past one. He turned back to his cell. The ghastly beams of the setting moon suffused it with the pallor of a death-scene. God in heaven! The death-scene was there—the crucifixion! The sight pierced him afresh with the sharpest sorrow, and taking the crucifix down, he fell upon his knees and covered it with his kisses and his tears. There was the wound in the side, there were the drops of blood and the thorns on the brow, and the divine face