Page:Flute and Violin and Other Kentucky Tales and Romances.djvu/301

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POSTHUMOUS FAME.
283

Here he was interrupted by a low knock at the door. Bidden to come in, there entered a man of delicate physiognomy, who threw a hurried glance around and inquired in an anxious tone:

"Sir, are you alone?"

"I am never alone," replied Nicholas in a ringing voice; "for I dwell hard by the gate-way of life and death, through which a multitude is always passing."

"Not so loud, I beseech you," said the visitor, stretching forth his thin, white hands with eager deprecation. "I would not, for the world, have any one discover that I have been here."

"Are you, then, a personage of such importance to the world?" said Nicholas, smiling, for the stranger's appearance argued no worldly consideration whatsoever. The suit of black, which his frail figure seemed to shrink away from with very sensitiveness, was glossy and pathetic with more than one covert patch. His shoes were dust-covered and worn. His long hair went round his head in a swirl, and he bore himself with an air of damaged, apologetic, self-appreciation.

"I am a poet," he murmured with a flush of pain, dropping his large mournful eyes beneath the scrutiny of one who might be an unsympathetic listener. "I am a poet, and I have come to speak with you privately of my—of the—of a monument. I am afraid I shall be forgotten. It is a terrible thought."

"Can you not trust your poems to keep you remembered?" asked Nicholas, with more kindliness.

"I could if they were as widely read as they should be." He appeared emboldened by his hearer's gentleness. "But, to confess the truth, I have not been accepted by my age. That, indeed, should give me no