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FLUTE AND VIOLIN.

any influence over the lad, or to establish the least friendship with him. It was a difficult nature that had been bequeathed him to master—sensitive, emotional, delicate, wayward, gay, rebellious of restraint, loving freedom like the poet and the artist. The Reverend James Moore, sitting in the chair of logic, moral philosophy, metaphysics, and belles-lettres; lecturing daily to young men on all the powers and operations of the human mind, taking it to pieces and putting it together and understanding it so perfectly, knowing by name every possible form of fallacy and root of evil—the Reverend James Moore, when he came to study the living mind of this boy, confessed to himself that he was as great a dunce as the greatest in his classes. But he loved the boy, nevertheless, with the lonely resources of his nature, and he never lost hope that he would turn to him in the end.

How long he might have stood now looking on and absorbed with the scene, it is impossible to say; for the lad, happening to look up and see him, instantly, with a sidelong scoop of his hand, the treasures on the sidewalk disappeared in a cavernous pocket, and the next moment he had seized his crutch, and was busy fumbling at a loosened nail.

"Why, good-morning, David," cried the parson, cheerily, but with some embarrassment, stepping briskly forward, and looking down upon the little figure now hanging its head with guilt. "You've got the coolest seat in town," he continued, "and I wish I had time to sit down and enjoy it with you; but the drawing comes off at the lottery this morning, and I must hurry down to see who gets the capital prize." A shade of anxiety settled on his face as he said this. "But here's the