Folk-Drama.
321
Pagan Religious Observances. | |||||||||||||||||||||||
INDO-GERMANIC. | |||||||||||||||||||||||
Greek and Roman. | Teutonic and Scandinavian. | ||||||||||||||||||||||
Classical Drama | Nothing to correspond with Classical Drama. | ||||||||||||||||||||||
Decayed Classical Drama. | Christianity. | ||||||||||||||||||||||
Mimes. | Folk Drama. | Folk Drama. | Folk Drama. | ||||||||||||||||||||
` | ` | ` | ` | ||||||||||||||||||||
` | ` | Miracle Plays. | ` | ` | |||||||||||||||||||
` | ` | ` | ` | ||||||||||||||||||||
` | ` | Renaissance. | Renaissance. | ` | ` | ||||||||||||||||||
` | Diminishing | ` | ` | Diminishing | ` | ||||||||||||||||||
` | Folk Drama of | ` | ` | Folk Drama of | ` | ||||||||||||||||||
` | Romance Countries. | ` | ` | Teutonic Countries. | ` | ||||||||||||||||||
` | ` | Elizabethan Drama: with folk elements | ` | ` | |||||||||||||||||||
` | ` | Literary Drama of Romance Countries. | and folk-colour but largely | ` | ` | ||||||||||||||||||
` | ` | reflective of Classical Drama. | ` | ` | |||||||||||||||||||
` | ` | ` | ` | ||||||||||||||||||||
My reading of the genealogy of the English epic drama is the meeting of two forces, Pagan and Christian, resulting in the concession of the miracle-play and mystery; that alongside the miracle-plays, the traditional embryonic drama continued to exist, competition with which led eventually to mixing or debasing the miracle-play representations and ultimately to their abolition; that at the Renaissance the popular actors became provided with written secular plays founded partly on traditional subjects; that in the composition of pageants or masques the popular pagan traditions became combined with reproductions of Greek and Roman
VOL. II
Y