This marvel of marble—5.
The exquisite enclosure—5.
Inlaid with flowers made of costly gems—5.
A thing of perfect beauty and absolute finish—5.
Those details are correct; the figures which I have placed after them represent quite fairly their individual values. Then why, as a whole, do they convey a false impression to the reader I It is because the reader—beguiled by his heated imagination—masses them in the wrong way. The writer would mass the first three figures in the following way, and they would speak the truth:
| 5 | |
| 5 | |
| 9 | |
| Total— | 19 |
But the reader masses them thus—and then they tell a lie—559.
The writer would add all of his twelve numerals together, and then the sum would express the whole truth about the Taj, and the truth only—63.
But the reader—always helped by his imagination—would put the figures in a row one after the other, and get this sum, which would tell him a noble big lie:
559575255555.
You must put in the commas yourself; I have to go on with my work.
The reader will always be sure to put the figures together in that wrong way, and then as surely before him will stand, sparkling in the sun, a gem-crusted Taj tall as the Matterhorn.
I had to visit Niagara fifteen times before I succeeded in getting my imaginary Falls gauged to the actuality and could begin to sanely and wholesomely wonder at them for what they were, not what I had expected them to be. When I first ap-
